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Directing People Who Are Not Actors Print

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Getting natural performance.

WHO THIS COVERS

Staff, customers, executives and members of the public.

WHAT THEY ALL SHARE

Discomfort in front of a camera.

WHAT MAKES IT WORSE

Long waits Many people watching Being asked to read a script Being corrected repeatedly

WHAT MAKES IT BETTER

Explaining what will happen Starting with easy questions Keeping the crew small Moving quickly

WHAT TO AVOID ASKING

That they memorise lines.

WHY

Memorised delivery from non-actors is always visible.

WHAT TO DO INSTEAD

Give them the points, and let them use their own words.

WHAT TO DO ABOUT NERVES

Record the first take knowing it will not be used.

WHY

People relax once they have started, and the first attempt discharges the tension.

WHAT DIRECTION TO GIVE

What to do, rather than how to feel.

WHY

Telling someone to look relaxed produces the opposite.

WHAT TO SAY INSTEAD

Something concrete: where to look, when to move, what to hold.

WHAT TO DO WHEN IT IS NOT WORKING

Change the situation, not the instruction.

WHAT TO ALWAYS DO

Thank them, and tell them when they did well.


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