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Green Screen and Compositing Print

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Replacing backgrounds.

WHAT IT ENABLES

Placing a subject in any setting.

WHAT MAKES IT WORK

Even lighting on the screen Distance between subject and screen Lighting on the subject matching the intended background

WHY DISTANCE MATTERS MOST

Standing close causes green light to spill onto the subject, which is difficult to remove.

HOW MUCH DISTANCE

As much as the space allows, at minimum a couple of metres.

WHAT UNEVEN SCREEN LIGHTING CAUSES

Patchy removal, with edges that flicker.

WHAT TO AVOID ON THE SUBJECT

Green or reflective clothing Fine hair detail, which is difficult Transparent objects

WHAT TO CHECK BEFORE SHOOTING

The screen, for wrinkles and shadows.

WHY

Wrinkles create shadows that survive keying.

WHAT TO SHOOT AT

The highest quality your camera allows, with minimal compression.

WHY

Compression destroys edge detail, which is exactly what keying needs.

WHAT REALISM REQUIRES

Matching light direction and colour Matching depth of field Adding a shadow, where one would exist

WHY SHADOWS SPECIFICALLY

Their absence is what makes composites look fake.

WHAT TO CONSIDER INSTEAD

Filming against a real background, which is frequently easier and better.


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