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Writing Scripts for Video Print

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Words before pictures.

WHY A SCRIPT MATTERS

It is far cheaper to fix a sentence than a shot.

WHAT A SCRIPT SHOULD ESTABLISH

What is said What is shown In what order How long each part runs

WHAT FORMAT TO USE

Two columns: visuals on one side, audio on the other.

WHY

It forces you to decide what appears while each line is spoken.

HOW LONG A SCRIPT PRODUCES A GIVEN DURATION

Roughly one hundred and forty words per minute of finished narration.

WHAT THAT MEANS PRACTICALLY

A sixty-second video is about one hundred and forty words, which is very little.

WHAT TO CUT FIRST

Introductions Restatement of the obvious Anything the visuals already show

WHY THAT LAST ONE

Narration describing what is on screen is redundant and irritating.

WHAT NARRATION SHOULD ADD

What the picture cannot convey.

WHAT TO WRITE FOR

The ear, not the eye.

WHAT THAT CHANGES

Shorter sentences Simpler words No subordinate clauses that lose the listener

WHAT TO DO BEFORE RECORDING

Read it aloud, timed.

WHAT THAT REVEALS

Sentences that cannot be spoken, and the true duration.

WHAT TO END WITH

One clear instruction about what to do next.


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