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Equipment for Media Production Print

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What to buy, and when.

WHAT TO BUY FIRST

Nothing, until a limitation actually blocks work.

WHY

Capability is rarely what limits early work.

WHAT ORDER TO INVEST IN

Sound, if there is speech Light, and ways to shape it

Support: tripod or stabilisation

Storage and backup Camera, last

WHY CAMERA LAST

The camera is the least limiting component in most setups.

WHAT LIGHTING TO START WITH

A window, and a reflector Then one controllable light with diffusion

WHAT AUDIO TO START WITH

One good clip-on microphone.

WHAT SUPPORT TO START WITH

A tripod sturdy enough for your heaviest use.

WHY STURDINESS MATTERS

A cheap tripod that drifts or falls costs more than it saved.

WHAT TO CONSIDER LOCALLY

Import duty and lead times Repair availability Power stability, and protection for equipment Resale value, if you need to change

WHAT TO PROTECT

Equipment against dust, humidity and heat.

WHAT THAT MEANS PRACTICALLY

Sealed storage with desiccant, and cleaning after outdoor work.

WHAT TO CARRY ALWAYS

Spare batteries Spare storage Something to clean lenses

WHAT TO INSURE

Anything whose loss would stop you working.


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