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Building a Media Portfolio Print

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Demonstrating what you can do.

WHAT TO SHOW

Your best work only.

WHY ONLY

A portfolio is judged by its weakest piece.

HOW MANY PIECES

Few, strong, and varied enough to show range.

WHAT TO INCLUDE PER PIECE

What the client needed What you produced What role you played The result, where known

WHY YOUR ROLE MATTERS

Collaborative work otherwise says nothing about you.

WHAT TO SHOW IF YOU HAVE NO CLIENTS YET

Work created for yourself, to a real brief.

WHAT MAKES THAT CREDIBLE

Treating it as a real project, with a stated purpose.

WHAT FORMAT TO PRESENT IN

Whatever displays your work well and loads quickly.

WHY LOADING SPEED MATTERS

Heavy portfolios are abandoned before they display, particularly on mobile data.

WHAT TO OPTIMISE

Images and video, aggressively.

WHAT TO MAKE EASY

Seeing the work within seconds of arriving Contacting you

WHAT TO AVOID

Requiring a download Autoplaying audio Work you would not want to repeat

WHY THAT LAST POINT

Portfolios attract more of what they show.

WHAT TO UPDATE

Regularly, removing older work as better arrives.

WHAT TO KEEP

Permission to show client work, obtained in advance.


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