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Organising and Storing Media Files Print

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Finding work again.

WHAT MAKES MEDIA DIFFERENT

Files are large There are many versions Originals cannot be recreated Value increases with reuse

WHAT A FOLDER STRUCTURE SHOULD REFLECT

How you actually search: by client, project, date, or type.

WHAT TO DECIDE ONCE

The structure, then apply it without exception.

WHAT NAMING SHOULD INCLUDE

Date, in a format that sorts Project or client A short description Version, where relevant

WHY DATE FIRST

It sorts chronologically without any system.

WHAT TO AVOID IN NAMES

Spaces and unusual characters Final, and final-v2, and final-actual Names meaningful only to you

WHAT TO SEPARATE

Originals, never edited Working files Exported deliverables

WHY

Originals must survive any mistake.

WHAT TO BACK UP

Everything, in more than one place, with one copy elsewhere.

WHY ELSEWHERE

Theft, fire and flood take everything in one location.

WHAT TO TEST

Restoring a file, occasionally.

WHAT ARCHIVING MEANS

Moving completed projects to cheaper storage.

WHAT TO KEEP FOREVER

Originals of anything that could be needed again Final deliverables Licences and releases

WHAT TO DISCARD

Intermediate renders and duplicates.


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