Knowledgebase

Working With Contract Artists and Composers Print

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Buying what you cannot make.

WHAT TO PREPARE BEFORE APPROACHING ANYONE

A clear brief Reference material The quantity required Your budget Your deadline

WHY REFERENCES MATTER MOST

Written descriptions of style are interpreted differently by everyone.

WHAT TO AGREE IN WRITING

Scope and deliverables File formats required Number of revisions included Payment schedule Ownership of the work

WHY OWNERSHIP SPECIFICALLY

Without an explicit assignment, you may hold only a licence.

WHAT TO ESTABLISH

That you own the work outright, or precisely what you may do with it.

WHAT TO START WITH

A small paid test piece.

WHY

It reveals whether the style and working relationship fit, cheaply.

WHAT TO PROVIDE

Technical constraints: sizes, formats, budgets

Examples of existing assets Prompt feedback

WHAT DELAYS WORK

Slow or unclear feedback from you.

WHAT TO PAY

Fairly, and on time.

WHY THAT IS ALSO PRACTICAL

Good collaborators are scarce, and reputation travels.

WHAT TO KEEP

Source files, not only exports.

WHY

Future changes are otherwise impossible.


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