Protection for created works.
WHAT IT COVERS
Literary works, including software Artistic works Musical works Films and sound recordings Broadcasts
WHEN IT ARISES
Generally on creation, without registration.
WHAT IT PROTECTS
The expression, not the idea.
WHAT THAT MEANS
Someone may write a different program doing the same thing.
WHAT RIGHTS IT PROVIDES
Control over copying, distribution, adaptation, public performance and communication.
WHO OWNS IT INITIALLY
The author, generally, subject to employment and agreement.
WHAT EMPLOYMENT CHANGES
Work created in the course of employment typically belongs to the employer.
WHAT CONTRACTING DOES NOT CHANGE
A contractor generally retains copyright unless it is assigned in writing.
WHY THAT MATTERS ENORMOUSLY
Software, designs and content commissioned without written assignment may not belong to you.
WHAT TO DO ABOUT IT
Obtain written assignment from every contractor.
WHEN
Before the work starts, in the contract.
WHAT TO DO ABOUT EXISTING WORK
Obtain assignment now, before it becomes urgent.
WHY BEFORE
It is discovered during investment, sale or disputes, when the contractor has leverage.
WHAT NOTIFICATION PROVIDES
Evidence of the work and its date, through the copyright body's scheme.
WHAT EVIDENCE TO KEEP REGARDLESS
Drafts, dated files, records of creation.
WHY
Disputes turn on authorship and date.
WHAT DURATION APPLIES
A long period, defined by legislation.
